Showing posts with label Wales. Show all posts
Showing posts with label Wales. Show all posts

Saturday, 26 June 2010

Green et idéal


Boyo is a lurching emporium of Welsh culture in all its gassy degeneracy. His conversation is a stream of Welshisms - the turgid verbal redundancy, pli selon pli, that I summarised earlier as "clanging tautology".

Boyo is also a delightful source of Mondegreen, such as his subconscious upgrading of the loathsome "Mull of Kintyre" into "Bollocking Time".

A recent conversation of his with another Welsh-speaker yielded a serendipitous conjunction of the two phenomena. They were discussing the lyrics of Welsh Wales's sole contribution to the punk genre, namely "Rhedeg i Paris" ("Running to Paris") by the group Anhrefn.

Boyo cited this song as evidence of the sheer literacy of Welsh popular music, in particular the line "wedi achub Boudu o foddi dan dwr" - "having saved Boudu from drowing".

I was impressed. Few punk singers refer to Renoir's "Boudu sauvé des eaux". Until his compatriot, in a treasonable display of accuracy and honesty, pointed out that the line is "cofio am bentrefi wedi boddi dan dwr" - "remembering drowned villages" - a constant lament of Welsh poetry ever since the English discovered that water is useful for washing and turned various Snowdonian valleys into reservoirs in the mid-1960s.

An amusing mishearing, and an apt puncturing of Boyo's bathetic bumptiousness, but there was better to come. I asked why "remembering drowned villages" takes so long to say in Welsh. The literal translation, it emerges, is "remembering villages that have been drowned under water".

Not just drowned, but drowned "under water". I don't like to imagine what else the Welsh are liable to drown in, but suspect that one day I'll find out.


Thursday, 4 September 2008

Cinema of Cruelty I


One of Boyo's imaginary cybershades, I forget which, asked me to compile a list of twelve films of personal significance to me. There are, naturally, no such films.

I am happy, however, to share a few flickering images of cultural decay that have caused the corners of my vermillion lips or eyes to twitch on rare occasions.

1. Cold Comfort Farm

Boyo waits until I'm at peace with the world, usually after a successful morning of supervising the evacuation of one of his sheds, before suggesting that we should visit his relatives in Wales.

I keep a copy of John Schlesinger's film at hand to remind myself of why Offa's Dyke was built and is still maintained. The book may not be set in Wales, but that wrinkled little country keeps its spirit alive (see photograph above).

2. L'année dernière à Marienbad

"Tels ils marchaient dans les avoines folles,
Et la nuit seule entendit leurs paroles".

I passed the "French nonsense" section of my International Baccalaureate with an essay positing that the Resnais/Robbe-Grillet film is a meditation on Verlaine's "Colloque Sentimental".

In fact I like it because it reminds me of my childhood family holidays.



3. Gorod Zero (Zero Town)

Mechanical tyrants, random nudity, roads that lead nowhere, both rock and roll, pools of water, suicidal cooking - this late Soviet offering is a reminder of what that Bolshevik shambles was like. It is also an approximation of Boyo's idea of a decent party.




4. El ángel exterminador

In this film Buñuel approximates my idea of a decent party.



I shall suggest a few more accompaniments to a cosy night in when it occurs to me.